Of Showtime’s King Shaka, shooting in South Africa, he says, “We were able to work in the actual locations where King Shaka lived and grew up, which has been pretty special.” “One of my prop masters in London has told me it is so busy that while working on a previous film, he received a call from a producer on a different project offering him double his salary if he left to join them,” recalls Bell.īerg oversees spending in excess of $4 billion for productions including the NCIS franchise, Ghosts, Fire Country, Criminal Minds, The Talk, The Late Show With Stephen Colbert, Frasier and Your Honor. He points to the “sheer volume of projects” in production as causing a shortfall in studio space and production talent. His attention has turned to Captain America: New World Order, which is shooting in Atlanta, London and Washington, D.C. Two titles this longtime Marvel executive handled, Ant-Man and The Wasp: Quantumania and Doctor Strange in the Multiverse of Madness, were heavy on VFX, but Bell says he pushes to shoot on location whenever possible. Here, production pros share the issues they troubleshot during some of their hairiest and most rewarding adventures on set. The week is headlined by a March 29 power brunch where THR editorial director Nekesa Mumbi Moody will moderate a panel with three of Hollywood’s top execs. The conference includes a professional development day, panels on topics ranging from navigating government relationships to the future of streaming, and a tour of Orbital Virtual Studios. Newly named AFCI executive director Jaclyn Philpott says the organization welcomes commissioners and other industry insiders “from all across the world to build best practices and collaborate with the goal of gaining knowledge and building connections.” And on March 27 they will convene at a weeklong conference at the Sofitel Los Angeles at Beverly Hills, hosted by the Association of Film Commissioners International, a group of more than 300 film commissioners on six continents. As Hollywood’s top physical production pros, highlighted by The Hollywood Reporter for their work behind the scenes, they are charged with realizing a script’s vision on the screen.
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